Gavin Kroeber

The charged, evocative third edition of the Chicago Architecture Biennial pivots away from the young initiative's early hallmarks.

"The Earth Will Not Abide" is a group show comprised mostly of artists active in the Midwest and in a loosely composed group called Compass.

Ben Thorp Brown has an eye for the ephemera of capitalism.

Rather than tell the story of the Latin American modernism that the works in the show responded to, "Condemned" was designed to produce a fragmentary, constellated, mediated portrait.

Autumn Knight, originally from Houston and lately based in New York, is best known for her charged performance works.

It risks oversimplification to read the recent group show “Encoded” as a rejoinder to the racially charged controversy around Kelley Walker’s fall retrospective at the Contemporary Art Museum St. Loui…

Fifteen minutes from St. Louis’s Gateway Arch, just across the Mississippi River in Cahokia, Illinois, the Los Angeles artist Eric Wesley has been tinkering in the shell of a former Taco Bell…

Arguing that urban sprawl is the dominant growth paradigm of the present and future, the author advocates a close examination of dynamic, amorphous metroplexes like Phoenix and Dubai.

The broad title of the MFA’s spring headliner belies the exhibition’s narrow focus. Far from a sweeping survey of art from and about Asia’s vast urban agglomerations, the show features work by just un…

Painter Tala Madani’s show in St. Louis provided a concise primer on her work, featuring her hallmark subject: men, nude or almost so, perhaps Middle Eastern and probably middle-aged, in situations bo…