Nina Simone singing "Wild Is the Wind," punctuated by the clicking of slide projectors, provided a moody, retro soundtrack for "Under a Dismal Boston Skyline," an ambitious exhibition of experimental…
"Nostalgia" was a long-considered take on nature in the twenty-first century, offering historical wisdom and imagination at a moment when such conditions seem in short supply.
Ward's repurposed objects report on loss, while his meticulous repetitive processes, applied to materials that seem valueless, offer a kind of recuperation. Broiler pans panel the wall in Iron…
When I visited this exhibition of thirteen works by Fred Eversley, the black, white, and gray polyester resin and acrylic sculptures that serve as the show’s focus reflected the New England winter sun…
Arceneaux’s immersive, theatrical works reveal complex, lost storylines of the post–civil rights eraUnited States and cast us as witnesses to the lies, redactions, iconizing, and forgetting that has…
In 1970, Robert Irwin gave up his studio and sold his art supplies. The midcareer painter and sculptor “simply stopped being an artist in those senses,” as he told Lawrence Weschler for the classic bi…