Jackson Davidow

Marc Swanson's memorial installations are intended to draw parallels between the HIV/AIDS epidemic and the climate crisis.

Offering information on safe abortions in the 1960s and '70s, a Bay Area activist group received countless inquiries from people nationwide; Bowers presents reenactments of their stories.

"I Believe I'll Run On" gives McFadden's journalistic and personal photographs equal emphasis, prompting a consideration of image-making in community.

Intended to foster community, Moyer and Pepe's survey was more successful at illuminating their long history of intermingling forms.

In the wake of the Covid-19 pandemic, art institutions are presenting themselves as sites of therapy—a trend that builds on a decades-long history.

Talia Chetrit's photographs of intimacy, domesticity, and sexuality take on a new resonance, and suggest different stakes, during quarantine.

While responding to national narratives of slavery and emancipation, Sonya Clark's current show also points to materials and figures specific to those histories in the Northeast.

A fortuitous elevator encounter between two men at a posh Boston hotel in 1916 resulted in a relationship that was instrumental to the creation of some of the most celebrated artworks of early…

Unlike a Polaroid image that reveals itself at once, the representation of history is not an instantaneous endeavor, but an ongoing pursuit. It looks like we may need to wait longer for multicolored…