This year's Venice Biennale takes a something-for-everyone approach.

The French polymath is currently the subject of a retrospective at the Peggy Guggenheim Collection in Venice.

I have a favorite pavilion—if you'll permit me a superlative, despite not having seen every single one.

The Vatican pavilion, at Giudecca Women's Prison, is hard to get in.

The art world continues to grapple with representation and opacity.

An exhibition at the Pinault Collection's Punta della Dogana extends the French artist's longtime exploration of otherness.

Cecilia Alemani's exhibition is visually rich and conceptually murky.

The entire prospect of the current Venice Biennale, curated by Ralph Rugoff, was almost Sisyphean. The exhibition's cheeky title, "May You Live in Interesting Times," refers to a phrase reportedly…

 "The Boat is Leaking. The Captain Lied" challenges visitors by casting them as the principal players in a melodrama that seems right for today. 

Damien Hirst’s exhibition “Treasures from the Wreck of the Unbelievable” is like a vast art theme park, a journey into a fantasy world in which myriad mythologies and cultures collide.&nbsp…