Connecting Modernism to Mono-ha to Minimalism, this exhibition suggests that postwar abstraction involved more international exchanges than single vectors of influence.
These days, more and more artists who exhibit internationally are remaining in or returning to the American South, where the region's communities, histories, and materials have become essential to…
A major survey emphasizes that David Driskell's contributions to art history were rooted in his own work, which refracted the concerns of Black Americans.